Sunday, April 14, 2019

Lent Back Nine





April 2, 2019 – GVAàAMS

A day trip to the office in Amsterdam, originally planned for a bunch of meetings which several people now can’t attend, so I will fly to the Netherlands mainly to participate in videoconferences that I could have done from home. 

Lent reading this morning was the parable of the prodigal son, and a bit from 2 Corinthians about regarding no one according to the flesh.  This, coupled with some of Laurence’s sermon from last Sunday, led me to a tidy summary of God’s message to man via Christ: “You’re all fucked up, but it’s okay.”  (also lends itself well to repeated chanting)


April 6, 2019 – GVA B gates

One of those early spring days in Geneva when there’s still a slight chill in the air, but some of the trees (I want to say alders but that’s probably completely wrong) are sporting precocious leaves, and you know that by the time you return from a week in Boston (where it will still be cold and grey) all the leaves in Geneva will have come out. 

Flying transatlantic on a Saturday feels like the definition of “free time,” since you have a whole non-workday after you land.  This is an illusion, of course.  The same amount of work which will be waiting for me on Sunday night is waiting for me now.  But I will have the chance to sleep in a little tomorrow before going to the MS Walk and, and then I’ll get to see Mia play soccer at 6.  Part of me wants to have a few drinks on the flight over, but there’s really no point.

Through the glass barrier to my left, people are getting off the plane that I’ll soon be getting onto.  Tired parents dragging children with zoomorphic roller bags.  Young girls in leggings and neck pillows, clutching mobile phones.    


April 7, 2019 – Cambridge, MA

My flight last night arrived a little early, and I wasn’t feeling too tired, so I drove to the Plough and Stars in Central Square to see a band.  I kind of knew the guitar player, who was in a band with someone else whom I was in a different band with years ago, so we were connected through the Transitive Property of Rock Bands.  I was pleasantly surprised to see that I didn’t stand out as the oldest person in the room: there were certainly a lot of student-aged types there, as one would expect in Cambridge, but also a lot of what I probably would have called “aging rocker” types, a category to which I probably belong myself.  Several men with grey beards and ample guts and horned-rim glasses.  Also a few of those deadpan record store types, one of whom, with long, straight hair and numb affect, sidled up next to me.

I realize that this is not really my scene: the music was fun, but I don’t feel super-drawn to the loudness and the booziness and the ringing skull the morning after.  There’s a certain romanticism to driving all over the US in a van (as this band does), but late nights in divey bars with rotating sets of mostly drunken people is something I would get very tired of very quickly.  At the same time, there was something beautiful about the scene: people who were not 20-something making music, and smiling while doing so.

Lent reading this week focuses on parenthood.  There’s a strong pro-adoption angle on the CTBI website, and it is nice to see so much space given here to people in “nontraditional” family situations: for instance, those who might be uncomfortable during “Mothering Sunday” service (which is evidently a thing, although my church didn’t do anything with it).  The Bible readings cover this as well: on the cross (Jn 19:25), Jesus bestows a mother/son relationship upon Mary and “the disciple whom he loved” (probably John).  And there is a mysterious passage in Luke (Lk 2:33), in which Simeon the quasi-mystic tells Joseph and Mary that their son is a big deal, but also that “…a sword will pierce through your own soul.”  This probably refers to the crucifixion, but part of my wants to read it also as a more general statement about that feeling when your children grow up and become their own people and you become less important to them.  I may be projecting.


April 9, 2019 – Cambridge, MA

I left the office after 7pm and took the red line to Harvard Square, where I walked around in the drizzly chill, picking up some things at Lush for the twins’ birthday.  I poked around the Harvard Book Store for a while, but emerged with only a used collection of E.B. White essays.  I gave a dollar to the homeless guy sitting outside.  I recall how it used to be acceptable to refer to people like this as “bums.” 


April 13, 2019 – British Airways Lounge, Terminal E, Boston Logan Airport

I felt a curtain of sadness fall when I was leaving my apartment in Cambridge for the airport tonight.  I’m not sure why: I will be extremely happy to be back home after a long and trying week.  I won’t be back in Cambridge again for more than a month, and as I turned the thermostats down, I imagined the empty apartment, with a few of my second-tier suits hanging in the closet, and some stray dirty laundry in the hamper.  Like a dead person’s house before the next of kin can get in there and clean things out.

Jose, who works at the BA lounge in Boston, always says hello and shakes my hand when he sees me here.  We don’t have much to say to each other, but it’s nice to say hello, and I’m always impressed at his friendliness, which seems genuine.  And out of place in a transient place like an airport lounge.  But every place is transient, in a certain sense.   I watch the Masters on TV in the window reflection.  Everyone swings left-handed except for Phil Mickelson.

Like I said it was a difficult week at work, but I found myself comforted by Philippians 3:12 (“Not that I…am already perfect, but I press on to make it [the resurrection] my own, because Christ Jesus has made me his own.”).  I feel my heart warmed especially by the “press on” line, even though what Paul is writing about has absolutely nothing to do with pharmaceuticals.  People look for encouragement wherever they can find it, even if the context is all wrong.  The Bible is a target-rich environment for this.  I believe this is what one would call cognitive bias.         

Sunday, April 7, 2019

Lent Halftime Report




6 March, 2019 – TGV Paris-Geneva

Today is Ash Wednesday, and I didn’t have time to go to church.  Not that I’ve ever gone to church on Ash Wednesday before, but I am trying to take Lent a little more seriously these days.  This year I’ve decided to give up sugar – as in so-called “added” sugar, so fruit is okay, but pain au chocolat is not.  Granted, 12 hours without sugar is not anything to congratulate oneself about, and today I was in our office on Rue de La Boetie, where the cheese cart in the canteen is a helpful distraction.  Nonetheless, the day was long and mentally tiring, and right now I would typically find myself lashing into a cookie or an EAT NATURAL bar or something. Richard Rohr writes some good stuff about the importance of aligning heart, mind and body when it comes to contemplation.      


16 March 2019 – GVAàFRA

Starting a 10-day trip to the US, which will bring me to Boston for a bunch of meetings, then to Las Vegas next week for three days.  A clear, bright morning in Geneva, almost empty going through security, and I found a smooth, easy rhythm, tapping the smiley-face button to indicate my satisfaction with things.  This feeling likely won’t last long, as the rest of the week will be busy and stressful and will not lend itself willingly to reflection and quiet.

On that note, I am trying to use this trip to get more into Lent study and reflection.  I am keeping with my sugar abstinence, which Lydia points out is kind of hypocritical since I eat roughly my own weight in dates every day, but still I think it does its job of making me more acutely aware of my own desire.  I imagine “temptation” is the proper word here; that is indeed the word used in my Lent study guide, which comes courtesy of something called Churches Together in Britain and Ireland.  Week 1 focuses on Luke 4, and the forty days in the wilderness and the temptation of Jesus.  I noticed for the first time this morning that the real drama in those passages comes at the end of the forty days, when Satan shows up to tempt JC.  To draw a weak parallel to my business travels, it’s relatively easy to stay disciplined about things when you’re breezing through GVA airport security on day one; the harder part is at the end of a trip like this, when all the fatigue has accumulated and your willpower has eroded and you flick mindlessly through your phone as you wait for your connecting flight home.

Isn’t this essential to what being a Christian is all about?  Truly living by choosing the good and deep and true, instead of succumbing to baser desires (and in so doing living a life that is more like death)?  I did slog through all of Augustine’s Confessions last year, so I should know something about this.  To quote Nasim Taleb (quoting Procrustes): “Love without sacrifice is theft.  This applies to any form of love, particularly the love of God.”


20 March 2019 – Cambridge, MA

Up early with jet lag and managed to get myself down to the gym at least to run a little.  One always feels better. 

A study question for this week is “Where and when did God manage to get your attention?”  This is preceded by a story about a thunderstorm and some lines about the “power and intensity of nature” as a sign of God’s presence.  Today, I read Genesis 15, when God tells Abraham that he will have as many descendants as stars in the sky, etc.  While reading it in my (highly recommended) Olive Tree bible study app, I found a note I had written, probably several years ago now, at Gn 15:12 (“…And behold, dreadful and great darkness came upon him.”).  My note said, “Is darkness necessary for light/God to appear?” 

This got me thinking about my own faith, which, to tell you the truth, has felt kind of forced and lukewarm lately.  Over the past months, I haven’t felt that strong emotive pull, while at church or anywhere else, that I felt, say, when I was reading the Bible deeply for the first time, or when I started to go to church regularly several years ago.  Maybe this is because things are relatively stable and comfortable for me at the moment (ed: abrupt scraping sound as the writer falls out of his chair to touch all the visible wood in the apartment).  Yeah, my job is stressful and there’s some uncertainty about the future, but I don’t feel any heavy darkness.  This was the exact word that I used to describe that feeling I would have, around the time my marriage was falling apart, when I would wake up in the morning and feel this heavy and intense sense of remorse, dread, fear: darkness.  Back in Genesis 15, God doesn’t come down and hit Abraham with the heavy pyrotechnics right off the bat.  He waits for a “dreadful and great darkness” to fall upon him, and only in the midst of that darkness does He make His covenant with Abraham.  So, perhaps God reveals Himself to us only (or most powerfully) when darkness falls.  One of our jobs, especially during Lent, is to at least be conscious of this, and perhaps learn keep an eye out for Him even when light is shining.  And (touching wood again) to be mindful that darkness is never that far away.


21 March 2019 – Cambridge, MA

In a hurry this morning between the gym and meetings.  Just time to read Psalm 27, and a great line in verse 13: “I believe that I shall look upon the goodness of the Lord in the land of the living.”  Not bad for a one-line philosophy, and a good, slightly cheeky, answer to the question, “What do you believe in?”  It’s always tough to parse the words too closely when you’re dealing with a translation, but I find the fact that it specifies “in the land of the living” interesting: this is not about just waiting for a kingdom of heaven later on, it’s about appreciating and glorifying God here, in this life, in the land of the living.  And rhythmically, it forms a catchy heptameter up until “Lord” (if you combine “I” and the first syllable of “beLIEVE” into one beat).   Right on.


22 March 2019 – Cambridge, MA

Friday morning, up early with a couple of free hours before work, so I do some laundry and have breakfast and read and write a little.  Today was the story of the Transfiguration (Luke 9:28), and again (as in Genesis 15, see above), God arrives on the scene only after darkness falls and the three disciples are “heavy with sleep.”  Later we hear the voice of God, but not before a cloud comes and overshadows them.  The bit at the end, when Moses and Elijah step off stage, and God seems to single out Jesus above the other two, feels like it was tacked on later by someone who really wanted to make a point.  Of course this is a pretty important point for Christians: the other two were just prophets, while JC was God incarnate.  But then again nowhere in this passage does God say anything like “never mind about all that stuff Moses said;” only, “This is my son…listen to him!”

I also pause a bit at the very end, when Peter, John, and James come down from the mountain and don’t tell anyone what they’ve seen.  Why not?  There were three of them after all, so it’s not like later on (Luke 22) when a solitary Peter, trying to save his own skin, denies knowing Jesus.  And evidently at some point later they did tell someone about what happened on the mountain, or else we wouldn’t be reading about it in Luke’s gospel.  This could be a message about our own fearfulness, and our reluctance, even after seeing glowing visions and hearing the voice of the Big Man himself, to put ourselves out there and seem like we’re crazy or blasphemous. 


23 March 2019 – Cambridge, MA

I went to Kendall Square Cinema last night and saw a German film called Transit.  The backdrop was the spread of Nazism – people were asked for their papers a lot, and characters made a few hushed references to “cleansings” – but it was shot in the present day, mostly in Marseilles, as German dissidents of various stripes tried to get the hell out of Europe.  The filmmakers didn’t try to modernize it per se: there were no cell phones, everything is done on paper, the passage out of Marseilles is all by boat, etc.  More like they might have thought about making it faithful to 1944, when Anna Segher wrote it, but then decided to spare themselves the expense and hassle of rounding up a bunch of old cars and fedoras.  Many people spoke German when you didn’t expect them to – like at the Mexican Consul in Marseilles.  Anyway, the movie was a bit better in theory (“Casablanca meets Kafka” said Anthony Lane in the New Yorker) than in practice. 

On the way home, I stopped by the Smokehouse, where I ate pulled pork and coleslaw and drank beer while watching both the NCAA basketball tournament and the NCAA wrestling championships simultaneously on two flat screens next to each other on the wall opposite.  With TVs on practically every open wall space, American restaurants are always handy for people who are eating alone, or who would rather look at something other than the people with whom they are eating.
This morning we read Isaiah 55 and Psalm 63.  Some nice imagery in both around feeling a physical desire for God: “My soul thirsts for you; my flesh faints for you” (Ps 63:1).  Again the theme of resisting earthly desires for the transcendent, and in this case, cleverly picking up the weapons of the enemy, so to speak. 


25 March 2019 – Cambridge, MA

Back from a not-too-exhausting orangetheory workout on a Monday morning.  Coffee, grapefruit, toast with peanut butter.  Although I just noticed that the bread has freaking sugar in it, even though it’s “whole wheat” from Whole Foods.  The tricks that marketers play.  I am allowing myself to have some anyway, as I feel like I need some carbohydrates after the gym, and therefore this is not about satisfying a craving for sweets.  This may be a flimsy rationale, but maybe it raises an interesting question: does intent matter when it comes to sin?  Maybe an extreme example would be someone who kills in a war, or in self-defense, as having different “intent” than someone who murders for money, or hatred, or a more “selfish” motive?  Or someone who steals to feed his family?  It’s tough to think of too many examples here.  JC doesn’t split hairs in today’s reading (Luke 13:6-9) and offers only two choices: repent or perish. 

A short but enjoyable weekend with my daughters.  We ate cordon bleu and Brussels sprouts with bacon and rice pilaf, and we played hearts and Not Alone.  On Sunday, breakfast at Friendly Toast and Ellie’s soccer tournament, and a trip to the movie theater, and Chinese food.  Boys send Sarah messages over Snapchat.   


26 March 2019 – Cambridge, MA

Today’s we covered the “Jesus Prayer,” which is not too hard to remember because it’s only one line: “Lord Jesus Christ Son of God, have mercy on me as a sinner.”  There was also link to something called orthodoxprayer.org, which has a detailed analysis of the Jesus Prayer.  It talks about how it helps “focus our mind exclusively on God with no other thought occupying our mind but the thought of God.”  This gets my head nodding, as I’ve been thinking lately about how in a certain way Christianity and Buddhism are two sides of the same coin (or maybe even the same side).  This website itself talks about prayer as a discipline, “to help our soul gain control over our overactive brains and create stillness…”; Thomas Merton’s Seeds of Contemplation and Robert Wright’s Why Buddhism Is True  both cover the same territory.  I know Merton (a Trappist monk) has written extensively about Buddhism itself, which I need to get around to reading one of these days.

And yet, the last section on the orthodoxprayer.org page, there’s a whole section called: “Jesus Prayer Is Not a Form of Eastern Meditation.”  I don’t have time to explore this all in detail right now, but some of it I disagree with (especially the insistence of Buddhism espousing an “impersonal God”) and some of it I don’t (stuff about nothingness).     


Thursday, December 20, 2018

Lessons and Carols Redux



This year I raised the stakes on the Service of Lessons and Carols and volunteered to sing with the church choir.  I’m still not sure what motivated me to do this.  I like music (I play the drums and sometimes sing in a cover band) and I like singing in church, but it’s not like I have 17th century choral music in heavy rotation on my car stereo.  Also, and probably more importantly, my formal musical training is nonexistent: I downloaded a free piano app for the iPad so I could hunt-and-peck my way through my parts at home, but I had to turn to google to remember what the notes on the bass clef were.  Nonetheless, I found myself at the church fair in mid-November telling Peter our choir director that I’d really like to join them for the Christmas concert. 

This year, it would actually be two concerts: our choir would join up with the choir from the Swiss German church, and we would perform on Saturday at their place and on Sunday at ours.  We would do a mixed repertoire of around a dozen songs, some in German, some in English, one or two (like the old standby “Veni Veni Emmanuel”) in Latin.  Peter would share directing duties with their choir director, Stanislava, a Bulgarian with frosted hair who unlike Peter is an actual pro musician.  This led to some tense moments in the days leading up to the concerts, like when Stanislava told Peter he was wasting precious rehearsal time working on nuances, and Peter angrily stomped off and threw his sheet music binder at the organ.  Or when Peter, during a rehearsal of “The Angel Gabriel from Heaven Came,” allowed the tempo to slow down almost to a complete halt and Stanislava sat in the front pew holding her face in her hands in anguish.  This didn’t seem to faze the other choir members much, though, as they happily offered me glasses of white wine during the mid-rehearsal pause.

There were roughly 30 of us singing.  I would put the median age of the tenors and basses around 75: this likely explained Stanislava’s asking me to sit near the middle of the tenors, my lung capacity partly compensating for my lack of chops.  From time to time I would observe a few of the basses nodding off during rehearsals.  The altos and sopranos skewed younger.

I became friendly with Moises, another tenor from the Swiss German choir, who had grown up in Bolivia but had come to Geneva 50 years ago as part of a scholarship established by some Bolivian who had made his millions in mining.  His wife was a sorprano, and from time to time they would interact in a very sweet way: “Chouchou, t’as un stylo?” (“Sweetheart, do you have a pen?”) he would ask her, or she would turn around and offer him a sip of tea from her little thermos.

The rehearsals passed quickly, and we almost certainly needed more time before the first concert on Saturday night.  We were joined by a string quartet + flute, which definitely raised our overall game musically.  Two young organists tag-teamed: Oscar, a teenage musical prodigy from our church with an androgynous vibe and a watch chain dangling from his waistcoat, and Arthur, who had a mop of dirty blond hair and round Harry Potter glasses and who became my secret ally when I suggested to Peter that we try not to let the tempo drag so much on one of his songs.   

The concerts themselves went well enough: no horrific flubs, and I even managed to execute a solo, as Gaspard in “We Three Kings of Orient Are,” alongside Peter and a different Arthur, a bass with a white beard, a smooth singing voice, and essential tremor.  As usual, there were several truly moving moments: on Saturday when Arthur the organist slowly opened the swell box shutters as he played the prelude, which introduces the melody from “Joy to the World” with slightly different chords; during several of the really kick-ass German carols*, especially “Fröhlich soll mein Herze springen” and “Kommet, ihr Hirten;” on the fifth verse of “We Three Kings,” when we come roaring in with “glorious now behold him arise;” and of course during the murderer’s row of a climax of “O Come All Ye Faithful,” the John 1:1-14 reading, and “Joy to the World.” 

Yet the service itself felt different somehow.  Obviously, the visual perspective is completely flipped, as the choir is facing the audience.  And afterwards, I noticed an uneasiness that I found hard to pin down.  I compared my post-concert experience to what usually happens after my band plays a show: you have drinks with some of the people who came to see you, you get compliments, you pack up the gear and do some post-mortem critiques with the other guys in the band, pictures and videos get posted on social media, you get “likes.”  Considering this, I realized that at least part of me had gone into this looking for some kind of recognition, to have one of the people from my congregation come up to me and say, “I didn’t realize you could sing,” or something.  Now maybe this didn’t happen because we actually sucked.  But I think more likely it’s because it’s not at all the point: performing music in this context is not about impressing your friends; it’s about glorifying God and celebrating His arrival on earth.  And perhaps this is part of the “lesson:” stop thinking about yourself for a second and instead glorify God, the Creator, the Force, or whatever you want to call it.  And maybe consider for a minute what things would be like if everybody did that a little more often.

Afterward, I encountered the most intense case of earworm I have ever experienced.  I literally could not stop hearing these songs in my head, loudly and insistently, for days.  Like relay runners, one song would hand off dominance over my neurons to the next.  I’m sure there are easy explanations for this.  I did of course sing those songs several times over the course of four days.  Since my sight reading is not so fantastic, I tried to memorize my parts as much as I could.  And especially on some songs where there’s a strong impulse to follow the melody (e.g., “Joy to the World”), I would really have to bear down and concentrate on the tenor part.  Or it could simply be because these songs are just that good.




* Since I know like five words of German, I’m basically singing these songs phonetically, and I wonder if that actually makes them more emotionally evocative. Like with the words stripped of significance, you’re left with only the music and the feeling itself.  A more direct path to the mystical, if you will.   


Monday, December 10, 2018

The Courage for Truth



I've been meaning to write something about Thomas Merton, but capturing his prolific awesomeness in a blog post would be akin to drawing the map of the universe on an Etch A Sketch while riding a unicycle.  Maybe one day I'll work up the courage to try something.

Meanwhile, as today is the 50th anniversary of his untimely death, I'll just pull-quote a few great lines from The Courage for Truth, a collection of his letters to other writers.  These were written mainly in the 1950's and 1960's, but, as always, the truth of his words comes through clear as a bell.

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“How beautiful and simple God’s plan for humankind is!  That’s it.  Friends, who love, who suffer, who search, who see God’s joy, who live in the glory of God; and all around them, the world which does not understand that it too is Proverb, which does not find the Lord’s joy, which seems to seek to self-destruct, which despairs of rising above material things.  That wants to destroy itself in the fire, despairing that it can soar above material things.”  (p. 33)


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“Our mania for organization will be judged and all will be burned except love and friendship.  The small groups united by genuine love will remain everywhere and the rest will go, even in monasticism.”  (p. 46)


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“There is a lot of disordered animal vigor in the US, a huge abundance of it still, rambling and incoherent, discontented, baffled by its own absurdity, and still basically seeking something.  I think the search has almost been given up. ..” (p. 125)


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“We simply cannot look to the established powers and structures at the moment for any kind of constructive and living activity.  It is all dead, ossified, corrupt, stinking, full of lies and hypocrisy, and even when a few people seriously mean well they are so deep in the corruption and inertia that are everywhere that they can accomplish nothing that does not stink of dishonesty and death.  All of it is rooted in the cynical greed for power and money which invades everything and corrupts everything.”  (p. 144)


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“…the joy of being able to communicate with friends, in a world where there is so much noise and very little contact.  We cannot realize the extent of our trouble and our risk, and yet we do not know what to do – except to go on being human.  This in itself is already an achievement.  And we hope that since God became man, there is nothing greater for us than simply to be men ourselves, and persons in His image, and accept the risks and torments of a confused age.  And though the age is confused, it is no sin for us to be nevertheless happy and to have hopes, provided they are not the vain and empty hopes of a world that is merely affluent…” (p. 176)


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“I fear nothing so much as conventionalism and inertia, which for me is fatal.  Yet there is that all-important stillness, and listening to God, which seems to be inertia, and yet is the highest action.  One must always be awake to tell the difference between action and inaction, wen appearances are so often deceiving…” (p. 187)


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“The religion of our time, to be authentic, needs to be the kind that escapes practically all religious definition.  Because there has been endless definition, endless verbalizing, and words have become gods.  There are so many words that one cannot get to God as long as He is thought to be on the other side of the words, the words multiply like flies and there is a great buzzing religion, very profitable, very holy, very spurious… My whole being must be a yes and an amen and an exclamation that is not heard…That is where the silence of the woods comes in.  Not that there is something new to be thought and discovered in the woods, but only that the trees are all sufficient exclamations of silence, and one works there, cutting wood, clearing ground, cutting grass, cooking soup, drinking fruit juice, sweating, washing, making fire, smelling smoke, sweeping, etc.  This is religion.  The further one gets away from this, the more one sinks into the mud of words and gestures.  The flies gather.”  (p. 225)


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“What is vitally important is that you should be a Christian and as faithful to the truth as you can get.  This may mean anything but resembling some of the pious faithful.  But I don’t have to tell you, because you know, that there is only one thing that is of any importance in your life.  Call it fidelity to conscience, or to the inner voice, or to the Holy Spirit: but it involves a lot of struggle and no supineness and you probably won’t get much encouragement from anybody.”  (p. 269)


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“(P)recisely the greatest and most absurd difficulty of our time is keeping disentangled from the idols, because you cannot touch anything that isn’t defiled with it: anything you buy, anything you sell, anything you give even…Anyone who sells out to even a small inoffensive, bargain-cheap idol has alienated himself and put himself into the statue and has to act like it, which is he has to be dead…I frankly don’t have an answer.  As a priest I ought, of course, to be able to give Christ’s answer.  But unfortunately…it is no longer a matter of answers.  It is time perhaps of great spiritual silence.” (p. 277)



Monday, October 29, 2018

Shanghai


Basil cocktails, Paul Manafort doppelgängers, and myterious bags of urine: you'll find them all in my latest contribution to Popula.



Thursday, October 18, 2018

Airport Ceilings, Vol. 2


Orlando International Airport.  The architects who designed "Mission to Mars" at Disneyworld were offering a package deal that month.

Chicago O'Hare, Terminal 1.  A helpful reminder as you're scurrying to catch your connection that one day you too will be extinct, and if you're lucky your fossilized remains may be put on display on the way to the frequent flyer lounge.



Helsinki Airport, one of many modern airports whose ceiling looks like it was made out of GeoMag, which doesn't exactly soothe any pre-flight jitters.  Speaking of, the GeoMag advertising slogan is "It's all about invisible forces," which is pretty great if you ask me.

SFO.  I caught some heat the last time I tried to say something about San Francisco on this website, but I think I can atone here.  This is a first-class airport ceiling: complex but not busy, open but not too bright, evoking the sky but also a sailboat's rigging.  You might be so busy appreciating the overall kind vibe that you might not even notice the fabulous rainbow stained glass arcs which grace the edge of the window panels.



Madrid Barajas Airport, which for some reason reminds me of a bowling alley, with the wooden slats and the NASA-inspired center console-looking thing.  Don't get me wrong, though, because both Madrid Barajas and Barcelona El Prat are extremely pleasant places to spend time.  


Shanghai Pudong International Airport, Terminal 2.  At first glance, this looks a bit like the mirror image of Madrid Barajas.  But, like Shanghai itself, pictures don't begin to capture the mind-bending enormity of the place, as the banners displaying the gate numbers multiply into the distance, and the ceiling sine-waves into infinity.  And of course there's Terminal 1 (not pictured here), almost as big, with a roof shaped like a seagull.  And of course there an entire other airport.




London Heathrow Terminal 5.  Perhaps the writers of those corny Hollywood scenarios had it right, and that when our time is up we will be called into the light, and as we slowly ascend and the light draws nearer, we will feel a deep, reassuring warmth, and the unfiltered joy of all that we have experienced and loved, and we will be enveloped by God's grace.  And then we will go through security and there will be a Wagamama and high-end duty-free.


Airport Ceilings, Vol. 1













Friday, September 7, 2018

Serenissima



The Popula kids have published another one of my "Me Today" columns, about a Sunday last winter.  Spoiler alert: nothing remotely dramatic happens.